Brightness
and with good luck
we will reach the harbor
and black earth
We sailors have no will
in big blasts of wind,
hoping for dry land
and to sail
our cargo
floating about
many
labors
until dry land
-Sappho
A woman's fragmented words echo across two and half millennia, words which remain unanswered and yet answered in countless incarnations shouted and whispered back to her through time. She is a gift to us, this Sappho, the first voice of a strong woman elbowing her words between those of Plato and Aristotle. And despite a separation of over 2500 years, her words still accurately paint Lesvos and the world today.
Rumored home of Orpheus' lyre (and his head...) The island of Lesvos has served as a stepping stone between eastern and western culture as far back as the Iron Age. From the shores of it's capital, Mytilene, the not so distant purple mountains of Turkey reflect the light of a setting sun. Tucked into the crook of Turkey's arm, this small island of sturdy people with golden skin and weathered lines, has been alternately Priam, Roman, Macedonian, Byzantine, Genoese, Ottoman and finally in 1912, Greek. (though many would argue that Lesvos has ALWAYS been Greek...)
In 1922, at the height of the brutal Greco-Turkish war, the city of Smyrna (present day Izmir) was taken by the Turks. Ethnic Greeks and Armenians fled with only their lives, piling into boats, crossing the four mile Mytilene strait and pouring themselves onto the shores of Lesvos. Nearly a hundred years later, over half of the islands 86,000 inhabitants are said to be the the children, grandchildren and great-grandchildren of those desperate refugees. The Asia Minor Mother, a statue of a mother sheltering three children, stands guard on the shores of Mytilene, her back to the sea and her seeking eyes looking to her new uncertain future.
Despite the Greek debt crisis and a crippling depression, the residents of Lesvos stand on the front line of a nearly unprecedented humanitarian crisis. As large swathes of Africa and the Middle East erupt into turmoil, hundreds of thousands of refugees have paid traffickers and stumbled into over crowded questionable boats. For the many citizens and new arrivals, this tiny island of olive trees and ouzo has come to conversely represent safety, shelter, purgatory, prison, familiar and foreign. But despite all, there are still open arms on the beaches, arms that pull the troubled out of the water and into their hearts.
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